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John Leckie
John William Leckie (born 23 October 1949 in Paddington, London) is an English record producer, and recording engineer.
==Early career==
Leckie began work at Abbey Road Studios on 15 February 1970 as a tape operator, later graduating to balance engineer. During this early career he worked with artists such as John Lennon (''John Lennon/Plastic Ono Band''), George Harrison, (''All Things Must Pass''), Syd Barrett (''Barrett'') and Pink Floyd (''Meddle'' and ''Wish You Were Here''). With Paul McCartney's Wings Leckie worked on ''Red Rose Speedway'' and the single "Hi, Hi, Hi". He mixed Be-Bop Deluxe's début album ''Axe Victim''.〔(【引用サイトリンク】url=http://www.the-skids.com/apps/blog/entries/show/42874481-bill-leckie-q-a-exclusie-to-skids-fans-website )〕 His first job as producer was the same band's third album ''Sunburst Finish'', which collaboration continued through ''Modern Music'', ''Live! In The Air Age'' and ''Drastic Plastic''.
Leckie left Abbey Road in 1978 and produced albums for Simple Minds (''Life in a Day'', ''Real to Real Cacophony'' and ''Empires and Dance'') and Magazine (''Real Life''). For Be-Bop Deluxe founder Bill Nelson, he produced the Red Noise album ''Sound on Sound'' and Nelson's subsequent solo album ''Quit Dreaming And Get On The Beam'' (the latter unreleased until 1981). Leckie recorded the début single, ''Public Image'' for Public Image Ltd. Leckie's work with XTC included their debut ''3D'' single and EP, and first two studio albums, ''White Music'' and ''Go 2''.〔 Later, he would produce ''25 O'Clock'' and ''Psonic Psunspot'', which XTC issued under the pseudonym The Dukes of Stratosphear.
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